Baroness Philippine de Rothschild
“Paintings for the Labels” at Wolfsonian
“I was very impressed with the Miami public,” said Baroness Philippine de Rothschild at the Wolfsonian-FIU Museum in Miami Beach during the South Beach Wine and Food Festival.
The baroness accompanied her celebrated traveling exhibition Mouton Rothschild: Paintings for the Labels, which displays the original artwork used on the Chateau Mouton Rothschild labels from 1945 to the latest 2006 vintage featuring the work of English portrait painter, Lucian Freud, whose label was revealed at an opening night reception.
“The guests were very interested in what they were seeing, which is not always the case on an opening night,” she continued. “They viewed the art and then came to talk to me about it. I thought it was absolutely charming and I was very taken by the Miami public.”
Baroness Rothschild’s perspective on Miamians has evolved like the city itself. “People were much more casual in the past,” she said. “They are a lot more interested in art than they once were.”
These sentiments are a profound acknowledgement coming from a woman who has been surrounded by the world’s most celebrated artists for her entire life.
“No other woman has done more to institutionalize the marriage between art and wine than Baroness Philippine de Rothschild,” said Sergio Caceres, wine director of Viceroy Miami at Icon Brickell. “Ever since she took the reins of her father’s estate in 1988, she has made it a point to expand the notion that the wines from Chateau Mouton Rothschild are bottled pieces of art.”
Baroness Rothschild’s artistic sense clearly comes from her father, Baron Philippe de Rothschild. The Museum of Wine in Art was started by the baron and is one of the treasures of Chateau Mouton Rothschild.
“Art is everyday and the labels are just one aspect, which my father started,” said the baroness. “He was an intellectual and he started the labels to celebrate the end of World War II… Mouton was completely occupied by the Nazis and my father bought our property back in 1945 and had to put something on the label to celebrate.”
Since then, some of the most renowned artists in the world, covering many artistic movements, have created pieces for the Chateau Mouton Rothschild label.
“I never impose any restrictions on the painter,” said the baroness. “I leave them very free. The only thing we ask the painters is that the work be horizontal. The only person who didn’t do it horizontal was Andy Warhol, who did three portraits of my father.”
The freedom that the baroness gives is a testament to her artistic sensibility, although it once led to controversy. Chateau Mouton Rothschild’s 1993 label by Balthus was banned in the United States.
“They accused me of doing kiddie porn,” she remembered jovially. “Can you imagine that? For me it was a little girl a bit naked. But some association for child pornography made a big fuss and they wanted to forbid the label from coming into America and they did. Finally, we had to send the wine with something else on the label and we put nothing. You don’t replace Balthus. Either it’s Balthus or it’s nothing. So, we left the label completely blank and it turned into a great amusement for American collectors to get the true labels by smuggling them. It was very extraordinary I have to say.”
Other contributors to the Chateau Mouton Rothschild label collection include: Jean Cocteau, Salvador Dali, Matta, Marc Chagall, Picasso, John Huston, Keith Haring, HRH The Prince of Wales and many more. Artists are paid in wine – 10 cases, or 120 bottles. Five cases are from the vintage that they illustrate and five cases are from other vintages that are drinkable immediately.
Mouton Rothschild: Paintings for the Labels ran for three weeks at the Wolfsonian Museum. “I love the Wolfsonian,” said the baroness. “It’s not a heavy museum, perfect for the exhibition.”
Aaron Glickman is a creator/producer native to Miami. He has worked in South Florida media for the past 15 years documenting a regional transformation predicated on art and design. His digital media platform, www.Current.Miami, tells hyper-local stories through the use of video.
From 2007 to 2016, Aaron was the publisher of SocialMiami.com, a society-driven digital media platform. During that period, Aaron created content-driven strategies with many of the region’s most prestigious brands and institutions. He also served on boards and committees for several non-profits.
In 2017, Aaron produced and directed the feature-length documentary Miami Basel: Art’s Winter Playground. The film tells the story of Art Basel’s influence on Miami. Its world premiere in 2019 at the Miami Film Festival.
Prior to working in media, Aaron was a union stage actor. He studied Shakespeare in London and was a six-year member of Theatricum Botanicum, a classical theater company located in Topanga Canyon, California. In 2016, Aaron returned to the stage to tackle the role of Richard Sherman in “The Seven Year Itch” and is currently doing voice-over work for NBC.