Carlos Luna’s Green Machine
Cuban artist's exhibition opens at Frost Art Museum-FIU

Luna’s exhibition at the Patricia & Phillip Frost Art Museum at F.I.U is organized by guest curator Dr. Barbaro Martinez Ruiz and showcases Luna’s cross-pollination of influences from living and working in Cuba until 1991, then in Mexico for 13 years, and now in Miami since 2002.
His exhibition, “Green Machine,” in the museum’s Grand Galleries, features more than 120 artworks, most shown for the first time and some created in new mediums he has been experimenting with during the past four years. These include Jacquard tapestries and works on metal sheets with patina and aluminum leaf, plates created in Puebla, Mexico; mixed media on paper and on wood; and his large-scale oil on canvas paintings.
The exhibition’s title alludes to the importance of the rain forest known as El Monte, a sacred space in the Afro-Cuban tradition one must enter to find meaning. The machine represents the mechanism that perpetuates life’s continuity. Combined, these ideas represent the artist leaving behind his rural past and his contemplative journey into the present moment.

The towering centerpiece of the exhibition, El Gran Mambo, is a massive six-panel painting chronicling the artist’s own story.
“El Gran Mambo tells the story of my journey through three countries,” says Luna, adding that music passionately fuels his creative process while he’s painting. “The musicality and rhythm of El Gran Mambo are powerful elements of this centerpiece.” Luna also cites as his artistic influences the musical masters Benny More and Ismael Rivero.

The work itself teems with edgy political commentaries, delivering a verbal-visual punch to map his journey with proverbs, riddles and graffiti-like scrawls.
“The best artist is the one who makes his art a science,” adds Luna. “And the best scientist is the one who makes an art of his science.”
Adds Carlos Luna: “The United States is a country with immigrants from everywhere, and this gives me the opportunity to be in contact with the world.”
This exhibition is made possible with the support of Bacardi North America, Siempre Viva Art Foundation, and the Israel, Rose, Henry and Robert Wiener Charitable Foundation in Honor of Dr. Carol Damian.
